Everything seems to tick in "Unrest," the latest effort from Zurich-born writer/director Cyril Schäublin. “Unrest” depicts the working lives of 19th century anarchist watchmakers in the Swiss mountains, laying bare the absurdities of the wage system. Schäublin follows workers as they navigate their working hours across four different time zones in one town—factory time, train station time, municipality time, and church time. It is a fitting theme after his 2017 debut, Those Who Are Fine, skewered the transactional and atomized nature of capitalist society. His new film blends the persistent whirring of factory machines with the heavy breathing of manual labor, an intentional confusion of internal and imposed rhythm.